I have a confession to make – I’m rubbish at writing catchy titles for things. I know a great title when I see it, but the Title Muse has passed me by. This causes problems when writing articles or conference abstracts; you want something that sounds interesting, but can end up causing confusion.
My recent abstract to the Networked Learning 2018 conference is a case in point. I knew what I meant when I added “Digital Compost” into my title, but completely failed to explain to my readers. The very kind reviewers pointed out that I should either explain or remove, hinting that I should seriously think if it was necessary to include.
And that’s the key point – is it essential? I knew it was, but I hadn’t explained why. I included an outline in my revised paper and am now sharing my thoughts with a little more depth. So on we go – let’s dig in to digital compost!
My brief explanation in my paper is as follows:
Inspired by her partner, Haraway (2016) proposed the term “compost” as an alternative to posthuman, as human and more-than-human alike become compost. I see the data gathered and shared through [my proposed research] networked stories as forming “digital compost”, acknowledging that the networked relationships include human-to-human, human-to-more-than-human, human-to-things, and human-to-place.
I like this term, I like “becoming compost”, as I personally find “posthuman” a bit anti-human. Moving from being anthropocentric to ecocentric does not make me any less human. Instead, it encourages me to be aware of all my relations, to connect as best I can with the Others that I share my life with. As Haraway states, it is about “making kin”.
Compost, that rich living humus cake, is wonderful stuff. I am at my happiest when up to my elbows in soil and take great delight in making more, making-with my soil-production kin of microbes, earthworms, fungi, et al. Refer to “soil”, “fungus” and “posthuman” in the same paragraph and I’m off on a rhizomatic tangent with Deleuze and Guattari (1987). Better yet, Ingold’s (2011) moving mycelial meshwork of relational, participative engagement in the world. I talk about “living compost”; compost is decay-in-action, decomposition of the dead to nourish the becoming of the living. By choosing this term, Haraway reminds us of the process of living and dying in kinship with each Other. I am aware I’m comfortable with this process, but it is not so for everyone.
So much for compost, what about the “digital”? Our “digital footprint” could as easily be termed our “digital compost”, the data we can be reduced or decomposed to, the traces we leave online. Part of my work includes using various forms of digital data to gather more detailed information on a location to share with others. In some cases, people actively wish to “capture” something from their local place; the use of digital and analogue media means that the element in question is left in situ, yet “taken home” by the person. “Digital” may facilitate an Ingoldian entangling of the person and place data, a composting of the physical and the virtual. The goal is to create a rich substrate to nourish stories from our places around the world, to celebrate our relations.
I’ll keep you posted on how that progresses!